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one of those entries that is actually about something else May. 13th, 2013 @ 04:08 pm

The Fault in Our Stars is written by someone my age about teenagers dying of cancer. The teenagers are adorably articulate and wry, which is what happens when they are written by clever fortysomethings – see also Juno and The Gilmore Girls. But I cried and cried for Wendy, who was just that funny anyway at fourteen, and for Jen, who at forty-three knew exactly what she was leaving behind. Glioblastoma, leukaemia.

The Still Point of the Turning World is written by Emily Rapp, who lost her son Ronan in February. He was three. Tay-Sachs. I’ve become violently allergic to the notion of meritocracy because of its implication that there are people who are without merit. Jen never made much money. Wendy never finished high school. Ronan never learned to speak. What does that make them? Emily Rapp says:

If you love but the love is never known by the other person as the love you bear for them, is that love wasted? I eventually realized that this way of thinking was more about ego than anything else, and that no love is ever wasted; in fact, the most precious love is often the kind that isn’t returned, and that is given freely.

I’ve realized it is my most deeply held political conviction that all are created equal. A person’s performance as an economic agent under late capitalism is about as relevant as their performance in chess or dressage or sport aerobics to what they are actually worth. Every person is a planet with a diamond core, a Tardis, bigger on the inside. We can’t possibly love anyone enough, but we can try.

Rumpus: What did Ronan smell like?

Rapp: Rice and shampoo. Sleep.

Rumpus: I know what it felt like for me to hold Ronan. What did it feel like for you?

Rapp: It felt like holding the world.

Mirrored from Yatima.


elephant sanctuary May. 12th, 2013 @ 09:51 pm

There are only two in the USA: the other is in Tennessee. This one was founded by Pat Derby, an Englishwoman descended from Shelley who found herself in Hollywood training cats, bears and elephants for shows like Lassie and Daktari. She hated the violence and cruelty of the industry and exposed it in a pretty wonderful, if bleak, book cowritten by Peter S. Beagle, who also wrote The Last Unicorn. She died in February.

The sanctuary is only open twice a year and you have to buy tickets in advance. It’s up in the Sierra foothills and it was a scorchingly hot day. Six hundred people came. I grumbled about the heat and having to wait in line for a shuttle, and then the shuttle came and we were taken to a picnic area where there were two Asian elephants to the left of us and three African elephants to the right. Gypsy, Wanda, Mara, Maggie and Lulu.

There are massive steel fences around their enclosure but the enclosures are vast – acres upon acres. That they wanted to visit with us at all is astounding to me. We were kept at a safe distance, about twenty feet, but we were in the presence of elephants, and this is an ungainsayable thing. I’ve seen elephants before but I don’t think I’ve ever seen happy elephants before. We were there for their entertainment as much as the reverse. They made eye contact.

I believe of them now, as I believe of whales and octopus, that they are sentient. How they must suffer when they are caged or in chains.

Maggie, one of the African elephants, lived in an Alaskan zoo with only an Asian elephant for company. The two have different vocalizations, but Maggie speaks both languages. Gypsy and Wanda came to the sanctuary at different times from different places but are now inseparable. Archival footage of circuses revealed that they had been friends before and had remembered one another for decades. Lulu, rescued from the San Francisco zoo, was the most reticent of the females. She wanted to be near Maggie and Mara but she didn’t particularly care for us. Up on Bull Mountain we saw Nicholas and Prince; Prince also prefers to keep away from humans.

But Nicholas swam for us, and dug a log up from the bottom of his lake. Another animal again in water, his bony head like a hippo’s, the water pouring off his gleaming skin. Graceful and at peace.

It was everything I love most passionately about California: the dry hills, the circling raptors, the ridiculous mule deer, and the people who pour out their lives trying to fight injustice and make safe spaces and be kind.

Mirrored from Yatima.


good thing i am not getting attached to him. yeah. May. 3rd, 2013 @ 02:08 pm

I rode Jackson today. I’m trying to stay out of his face during warmup, so I trotted him in both directions on the buckle, reins looping down. I worked on my position instead of his: elbows in, shoulders back, hip angle open. Trying to make a square corner under the trees, I flexed my right ankle and sank into my seat.

Jacks lifted his back under me and came soft and round.

Not surprisingly, when we jumped I was tall in the saddle and he was forward and electric into my hand.

Mirrored from Yatima.


there was something about anarchy, i remember that much Apr. 8th, 2013 @ 10:20 am

Kirsty is a force of nature. I’ve been meaning to go up to Edinburgh since Alex and Ioanna moved there from Ireland years ago, but the details eluded me. When I mentioned it in passing to Kirsty the whole thing was organized in what seemed like sixty seconds. I flew in early for the London conference I come to every April, and Kirsty and I caught the train to Edinburgh.

The journey was gorgeous and fascinating. “Green and pleasant land,” I tweeted as we left London, then “dark Satanic Mills!” as we crossed the midlands and I saw four huge power stations (Eggborough and friends maybe?) belching steam into an otherwise cloudless sky. As we sped to Scotland we saw Durham Cathedral, the Angel of the North (which I have loved since first seeing pictures of it and which came as a completely unexpected treat), beautiful steampunk Newcastle, Lindisfarne like something from a Miyazaki film or happy dream, the sun sparkling on the mouth of the Tweed at Berwick, and the looming bulk of the Torness Nuclear Plant.

Motion sickness got to me after a while. (The hangover from the night before probably didn’t help. That was Grant’s fault.) I thought I was going to hurl all over Waverley Station. I took my first steps in Scotland trying not to puke and telling myself “Don’t mention their accents don’t mention their accents,” so of course when I called Alex I blurted out “you sound very Irish.” I guess at least I didn’t vomit?

When I had recovered myself somewhat Kirsty and I had fun storming Edinburgh castle, and when we finally did make it to Alex’s house the awkwardness of nine years’ separation did not survive its first encounter with a pretty decent Sangiovese I’d brought out from California. Alex made osso buco. It was delicious. Ioanna is delightful and their daughter Lena is so best. We figured out how to fix capitalism but I didn’t write it down, so that’s a pity.

Mirrored from Yatima.


terracotta warriors Mar. 31st, 2013 @ 03:57 pm
Untitled by yatima
Untitled, a photo by yatima on Flickr.

The Asian Art is always fantastic but this exhibit just blew me away. You should go.

Mirrored from Yatima.

Other entries
» kintsugi
kintsugi by yatima
kintsugi, a photo by yatima on Flickr.

The art of imperfect repair.

Mirrored from Yatima.


» claire, just sort of generally bein awesome

Claire’s sword set a video by yatima on Flickr.

She earned her first degree brown belt today. She also made the finals of the River of Words poetry contest, and won a medal for that.

Mirrored from Yatima.


» a thing a month

As part of ongoing efforts to live a more makerly, human life, I resolved to make a thing a month this year. Not a vasty thing; something small and manageable. In January, I cross-stitched a little constellation embroidery for each of the girls. In February I hand-wrote a letter to a dear friend.

This month I will try out the Kintsugi repair kit that J gave me for my birthday. It repairs ceramics with a mixture of glue and gold dust. I will test it on some of our table china, and when my technique is alright, I will fix a chip in the beloved bowl I brought home from Avanos, in Turkey.

When I first read about Kintsugi, I cried. The chance to be more beautiful in the broken places feels like a gift, like grace.

Mirrored from Yatima.


» minions, or perhaps henchpeople

From Janet Malcolm’s The Silent Woman: Sylvia Plath & Ted Hughes:

We choose the dead because of our tie to them, our identification with them. Their helplessness, passivity, vulnerability is our own. We all yearn toward the state of inanition, the condition of harmlessness, where we are perforce lovable and fragile. It is only by a great effort that we rouse ourselves to act, to fight, to struggle, to be heard above the wind, to crush flowers as we walk. To behave like live people.

I’ve been having a lot of trouble with my zombies. When the dead are rising out of their graves and coming after me to eat my brain, the only way I can get them to lie down again is by making up a new story (I notice that this is the plot of ParaNorman, which I watched with the girls; this pleases me.)

Writing as a way to defy death is a major theme of Lawrence Wright’s wonderful Going Clear, a book I urge upon all my fellow Scient-trocity enthusiasts. I once met Jerry Pournelle and asked him about Hubbard. Pournelle said that there were days when L. Ron knew that the people around him were deluded, and days when he shared their delusions, and both kinds of days were the worst. I guess L. Ron’s real innovation was to use stories to turn living people into zombies which, mixed blessing at best. And he died in the end anyway (sorry, spoilers.)

Look. I need to write, to keep my graveyards neatly landscaped and my grey matter intracranial and off the menu. And I want to write, because books are awesome and I would like to make one. But even the effort of making up new stories to reframe bad things that happened to me, even in therapy with a good therapist, wipes me out. And when I read the acknowledgements sections of books like these two beauties, or Katherine Boo or Peter Hessler or or or, the authors thank the entire editorial and fact-checking departments of the New Yorker. It’s exhausting.

My would-be-creative girlfriends and I used to joke that we needed wives. What we actually need? Is staff. Maybe we should take a note from L. Ron and train up our zombies.

Mirrored from Yatima.


» heirs loom

I’ve been thinking, for complicated reasons, of things I have that are irreplaceable: the rosettes I won on Alfie and Noah; the Onkaparinga blanket Sarah gave me to take with me to Ireland, and which is wrapped around my knees as I type; the ring my father-in-law gave me; the bronze horse on my hall table, which was a present from my mum. Big Ted, Alain’s bear when he was a child, who is beaming fondly down at me from his shelf.

For that matter, the bears my mother gave to Claire and Julia: Topaz and Bess. Topaz spent three days lost behind a shelf at Claire’s pre-school, and another two days in the back seat of a taxi in New York. Our miracle boy.

Mirrored from Yatima.


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